Secret Music Man

John Jennings parlayed a love of theater into a off-Broadway hit

John Jennings enjoyed writing musicals and plays in his youth. In his 30s, the Evansville native wound up on a big stage.

He penned the music and book for the Southwestern Indiana-inspired musical โ€œRiverwind,โ€ which ran off-Broad- way in December 1962. The musical was performed in smaller theaters throughout New England, but today, Jenningsโ€™ work largely has flown under the radar โ€” even among residents of his hometown.

Jenningsโ€™ sister, Joan Jennings Greif, doesnโ€™t want people to forget her brother or his talents. Now in her late 80s, she has saved volumes of memorabilia and newspaper clippings of nearly everything her brother published, including his early works as a budding music man.

โ€œHe was such a virtuoso on the piano,โ€ Joan recalls. โ€œHe never refused to play or sing for us. He was such an entertainer.โ€ Jennings also had a great sense of humor and could play any song he heard by ear.

Joan Jennings Greif saved newspaper clippings, playbills, theatrical posters, and myriad other memorabilia from her late brother Johnโ€™s playwriting career. A highlight was the 1962 off-Broadway debut of โ€œRiverwind,โ€ a Southwestern Indi- ana-influenced musical starring theater actor Lawrence Brooks, pictured here with John.

Itโ€™s this skill of picking up a song and carrying a tune that propelled him to become a strong playwright. For all his plays, Joan says, he would write everything โ€” script, dialogue, and music. He produced a musical every year while attending F.J. Reitz High School and at least two while studying at Vanderbilt University in Nashville, Tennessee.

After service in the U.S. Navy, Jennings set his sights on Broadway. He produced โ€œRiverwindโ€ when he first went to New York; its off-Broadway debut at the Actorsโ€™ Playhouse sold out. The musical plot reverberated with audiences: Set at a quaint inn on the banks of the Wabash River, three couples reignite their love against a sweeping score focused on bass, percussion, and piano. In reviews, theater critics enjoyed the plotโ€™s โ€œmiddle-age charms,โ€ and New York Times critic Howard Taubman wrote that โ€œโ€˜Riverwindโ€™ comes to life when it breaks into song.โ€

After โ€œRiverwind,โ€ Joan says, her brother worked on a few other music projects, but none panned out. Jennings was busy crafting something new for Broadway when he became ill and died at age 54. The Feb. 10, 1988, issue of the New York Times included a story memorializing him.

Although Jenningsโ€™ life was short, his work continues to live on. Joanโ€™s son โ€” an Evansville periodontist named for his uncle โ€” first saw โ€œRiverwindโ€ in college when it was performed in New Harmony, Indiana, in the 1980s. John Greif hopes area theater programs would be interested in per- forming the musical, thus carrying on his uncleโ€™s music.

โ€œI think he left quite a wonderful legacy to Evansville,โ€ Joan says.

Maggie Valenti
Maggie Valenti
Maggie Valenti joined Tucker Publishing Group in September 2022 as a staff writer. She graduated from Gettysburg College in 2020 with a bachelors degree in English. A Connecticut native, Maggie has ridden horses for 15 years and has hunt seat competition experience on the East Coast.

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